Archive for the ‘Uncategorized’ Category

Sights + Sounds: Supernatural Chicago

January 29th, 2013 by admin

While our crazily erroneous winter weather may strike terror into the hearts of many Midwest residents, a plucky handful of Illinoisan artists are currently exploring a more theatrical view of the dark side.

Every Friday night at Excalibur Nightclub, fascinating North Shore resident Neil Tobin explores the historical aspects of Chicago’s haunted history with his eclectic show Supernatural Chicago. With a hint of the poetic, Tobin begins by referencing the Great Chicago Fire of 1871. Referring to the city as one built upon its cremation, for an hour and a half he beguiles with notions both chilling and informative. With neat twists of truth, card imagery and aura filled magical spectacle, Tobin ultimately reveals many of the mysteries behind Resurrection Mary, the St. Valentine’s Day Massacre and Rosemary’s Baby.

In fact, at the end of a recent show, audience members left secure in the knowledge that they had just witnessed some things that they previously would have never thought possible.

Here the extremely talented Tobin talks about his path to Supernatural Chicago and how lucky Sheridan Road readers can make use of his skills when the party season hits.

SR: What initially sparked you to combine your love of magic, history and the macabre into one super cool, totally spooky show?

Neil: I was a pretty strange kid. Starting in grade school, I had an interest in psychic phenomena, largely because most children have a certain amount of intuitive ability. To find out more about it, I went to the library, where I read everything I could on the subject. Well, next to those books were books about haunting – and next to those were books about magic. I ended up consuming them all. After I got older and picked up an education in theatre and writing, the time struck me as right to create an original theatre piece of my own. Of course, I wanted it to have the emotional honesty of having sprung from the things that are part of me. And at the same time, I received some interest from Excalibur, which has its own well-documented haunted past. Amazingly, all the pieces meshed together—and I have been extremely fortunate that audiences have responded so positively.

SR: You have undoubtedly had many fascinating incidents occur while performing Supernatural Chicago at Excalibur over the years. Is there a particular event or audience reaction that stands out in your mind, though?

Neil: One funny thing about Supernatural Chicago is that audience members often leave it with more questions than they had coming in. The material is unabashedly a mixture of the real and the unreal: documented stories of Chicago’s paranormal history are blended with demonstrations of the psychic and magical. So, at the end of the evening, it’s up to them to decide how much of it to believe in—and that lack of a clear-cut answer can keep some people awake at night. I’ve gotten some amazing emails from guests, weeks after they’ve seen the show, describing what they experienced and asking me to verify the reality of it all. I love that response! What it tells me is that I’m not adding to the mountain of forgettable entertainment, but creating something that truly sticks with people.

SR: If one of our fabulous readers gets in the mood for entertaining, what different programs can you offer for their viewing pleasure?

Neil: That depends largely on the event’s format and tone. For those of the low-key, cocktail-party variety, I’m often asked to mingle with guests and engage them one-on-one and in small groups. In such instances I’ll offer a choice of experiences, from reading their tarot cards and palms to possibly even reading their minds! Some events are more structured, with guests seated around a plated meal; or they simply demand a bigger entertainment splash. For these, I will engage the whole room at once with a 60-minute show that’s a fast-paced and interactive blend of the psychic and magical. It’s not spooky, just fun—and designed to get everybody laughing with amazement. Then there are the events that request me to do both: mingle with guests during cocktail hour then perform a full-length show after dinner. It’s like getting the best of both worlds. Lastly, for those who specifically want the spookiness of Supernatural Chicago, I will perform the full 90-minute show for private groups—either at Excalibur or at the venue of their choice. Since every event is different, I encourage planners to contact me so we can discuss a customized solution; I can be reached via neil@necromancerevents.com.


Meanwhile, happy residents of Andersonville are being treated to the sight of a distinguished troupe of actors milling around Raven Theatre due to their participation in a compelling production of Boy Gets Girl.

With dashes of honesty and humor, Rebecca Gillman’s award winning drama centers upon the terrifying truths of stalking. Notable for being included in Time Magazine’s List of the Best Plays and Musicals of the Decade, Boy Gets Girl chronicles the dissolution of a successful magazine writer’s life as a blind date turns frighteningly obsessive.

Sensitively directed by Cody Estle, this powerful evening ultimately explores both the subtle and the radical differences between men and women. Meanwhile, fine work from lead actress Kristin Collins and the entire company adds much sweetness to the taut situations the show, fully, addresses.


Lastly, the young adults in your life are sure to enjoy Clock Productions’ Scary Tales 2013. This annual production details six tales of haunting mayhem. Reveling in the style of story that was often included in Scholastic books of old, this short romp includes some comic looks at urban legends and a new take on vampire myths.

Highlighted by its extremely young but incredibly eager cast, this light entertainment is a nice remembrance of half forgotten fantasies and a fine introduction to the macabre side for those looking to gain their first impressions of the weird and wonderful.

Further information on Supernatural Chicago, which has an open ended run, can be gleaned at supernaturalchicago.com or necromancerevents.com.
Contact raventheatre.com or 773-338-2177 for ticket information on
Boy Gets Girl, running until March 2nd at Raven Theatre, 6157 N. Clark.
Scary Tales 2013 runs until February 9th at National Pastime Theater, 941 W. Lawrence. For info and $10-$15 tickets, call 773-327-7077. – Brian Kirst

Sights + Sounds: Faith Healer

January 2nd, 2013 by admin

Seventeen years after their performances drew acclaim and sold out crowds at the TurnAround and Steppenwolf theatres, the original cast of Brian Friel’s hypnotic Faith Healer has reunited for Den Theatre’s incisive revival.

Divided into four monologues, Friel’s play takes us into the world of Frank, an occasionally successful faith healer. His fraught journey is echoed throughout his eyes and those of his conflicted wife Grace and faithful manager Teddy. As in most first person narratives, the memories of the three differ on certain accounts. These moments alternate between the poignant and the comical. Meanwhile, Friel imbues the entirety of the work with a moist mysticism and a haunting sense of fate. Through glorious miracles, passionate clashes, tragic death and alcohol fueled confessions; Friel beautifully leads us to Frank’s final gamble as a professional magician of the flesh.

Director J.R. Sullivan, with the valued assistance of Cat Wilson’s moody lighting scheme and Marshall Crawford’s economical sound design, works with simplicity and grace. He guides the reunited cast, the show’s main draw, to elegantly layered performances.

As Frank, Si Osborne brings a shaky intensity to his revelations. His final moments onstage are full of powerful grace and determined acceptance. Lia D. Mortensen, meanwhile, provides a subtle balance of grim humor and poetic melancholy to her bittersweet Grace. Within her trembling voice, you can truly feel the soul of a woman whose life has been irrevocably altered. It is Brad Armacost’s Teddy that proves to be the most delightful character here. Armacost brings the necessary humor and show biz flash to his crafty entertainment veteran. He, impressively, allows the full circumstances of the detailed events to resonate for the audience with humor and deep dramatic awareness.

This taut production continues Den Theatre’s forward march as one of the premium theatre companies currently working in Chicago.
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Here the mesmerizingly talented, Jeff-winning Lia D. Mortensen lets eager Sheridan Road readers in on what it’s like to revisit Faith Healer after so many years.

SR: So, Lia, what has been the most interesting difference in how you approach the role of Grace now as opposed to the original production?

Lia: Life experience. There is no substitute. The lines on my face have been earned. 17 years ago, there was a lot I had to manufacture emotionally. Now, it’s just in me.

SR: It shows, beautifully, on stage, too! Has there been a most enjoyable aspect about revisiting the piece for you?

Lia: (Laughs) I’m not sure the word “enjoyable” applies. Grace’s story is an intense, painful one on so many levels. I suppose what has been gratifying about revisiting this piece is that we all three have wanted to return to these characters for years. We were too young for the roles the first time around. It’s as if we played a concerto and never resolved the piece with the final note. We are getting to do that now, if that makes any sense. And, I have found more humor in her all these years later. That’s good!

SR: Indeed. Grace does go through some amazing emotional valleys throughout Faith Healer. How do you prepare yourself to enter her journey for each performance?

Lia: Some days I think, God, I don’t want to go where she needs to go. But once I put on her sweater (which in my mind belonged to Frank) and sit in her chair backstage, I’m there. I listen to Frank’s monologue as if remembering the words he’s saying and I am transported. The sign of a brilliant play, if you ask me!

SR: Very true!

Faith Healer runs through January 20th at The Den Theatre, 1333 N. Milwaukee. Tickets are $28 and can be purchased through brownpapertickets.com or by visiting thedentheatre.com. – Brian Kirst

Gifts for Travelers

November 12th, 2012 by admin

Whether they travel via armchair or airplane, car or train, these gifts are perfect for the wandering soul.

Oaxacan Rug Duffle ($498, shopterrain.com). This one-of-a-kind duffle is perfect for weekend getaways, instantly recognizable at baggage claim, and incredibly beautiful to boot.

Pin World Wall Map (approx. $45, palomarweb.com). This world map is printed on a felt panel, and does double duty as interactive artwork (it comes with 15 pins to mark off preferred destinations) and a bulletin board for photos.

Kantha quilt ($89-$170, connectedgoods.com). These hand-sewn blankets are made from vintage saris. Multiple quilted layers make for warm, sweet dreams, either in transit or at home.

Global watch ($690, momastore.com). This 24-hour time zone watch is perfect for anyone with a 24-hour lifestyle. Designed by two members of the Danish architecture firm of Dissing + Weitling, it’s prepared to give the time of day anywhere in the world.

STM iPad Org Board ($25, Kaehler) Keep your iPad and all its accessories in order with this organizational case—practical regardless you’re storing things at home or away.


The Collected Poems of W.B. Yeats ($20, your local bookseller). Whether waiting in airports or nodding by the fire, this collection of Yeats’ poetry will nourish the pilgrim soul. –Katie Rose McEneely

Sights + Sounds: Sweet Bird of Youth

October 3rd, 2012 by admin

Opening on Broadway in 1959, Tennessee Williams’ Sweet Bird of Youth was the famed playwright’s second to last big success. Many critics, though, noted that it seemed to be the work of a genius in his decline. But, the poetic truth that marks the best of the Williams’ oeuvre is firmly on display in Goodman Theatre’s current, lovingly stylistic production of the show.  The piece’s occasional unwieldiness is further diminished by the highly publicized, luminous presence of famed film actress Diane Lane as the piece’s faded heroine.

Returning to his home town of St. Cloud, Florida, in the arms of a hysterically desperate film actress, handsome gigolo Chance Wayne determines to win back his childhood sweetheart, Heavenly. With his glory days long gone and only desperate hope to guide him, the 29 year old cad fully enters into his possibly suicidal mission. Years before, Heavenly’s father, Boss Finley, a moneyed right wing politician, ran Chance out of town, threatening his life should he return.

Focusing on the damaging effects of lives run solely by outer not inner beauty, Williams fully captures the inner turmoil of Wayne and his current paramour, Princess AKA Alexandra Del Lago, here. We sympathize with these lost souls while simultaneously wondering at their selfish, destructive actions. Williams’ timeless connectivity helps us see real life tragedies, such as the recent death of 29 year old Real World star Joey Kovar, within the fictional worlds of Wayne and Del Lago, as well.

Director David Cromer brings a sweeping sense of sound and projection, adding to the piece’s Southern mysticism and exposure of hypocrisy among the elite. He, also, focuses on a straightforward connection between his storied performers allowing for dramatic confrontations of deep resonance.

Reading too young for the role, Broadway upstart Finn Wittrock nonetheless allows you to feel every frustrated emotion in Wayne’s body. Lane, meanwhile, loses herself in Del Lago’s rhythms, creating a fascinating portrait of a frantic survivor in the Joan Collins mode. Superior work by their co-stars, John Judd, Jennifer Engstrom and Colm O’Reilly further enhance this one of a kind experience. Meanwhile, James Schuette’s set and costume design and Keith Parham’s vivid lighting schemes do much to help secure Williams’ smoky, disillusioned tones.

Sweet Bird of Youth runs through October 28th at Goodman Theatre, 170 North Dearborn in Chicago. Tickets are $28-88 and can be purchased by calling 312-443-3800 or by visiting www.goodmantheatre.org. —Brian Kirst

London Calling

July 30th, 2012 by admin

If last year’s trip to America was any indication, Kate Middleton must have an extensive wardrobe ready and waiting for the 2012 London Olympic games. Stepping out in her signature royal blue, this time in skinny jean form and patriotic Union Jack polo, Kate looked comfortable yet chic for last night’s Torch Relay. Donning her trusty L.K.Bennett wedges and her signature bouncy curls, the Duchess of Cambridge seems to have found the perfect balance for relaxed, put-together style. With all eyes on London, we can’t wait to see Kate bring her fashion A game! —Kendall McKinven